Plato, Laws 658b

μόνον, ὃς δʼ ἂν τέρψῃ τοὺς θεατὰς μάλιστα, μηδὲν ἐπιταττόμενος ᾧτινι τρόπῳ, νικήσῃ δὲ αὐτὸ τοῦτο ὅτι μάλιστα ἀπεργασάμενος καὶ κριθῇ τῶν ἀγωνισαμένων ἥδιστος γεγονέναι—τί ποτʼ ἂν ἡγούμεθα ἐκ ταύτης τῆς προρρήσεως συμβαίνειν; τοῦ πέρι λέγεις; εἰκός που τὸν μέν τινα ἐπιδεικνύναι, καθάπερ Ὅμηρος, ῥαψῳδίαν, ἄλλον δὲ κιθαρῳδίαν, τὸν δέ τινα τραγῳδίαν, τὸν δʼ αὖ κωμῳδίαν, οὐ θαυμαστὸν δὲ εἴ τις καὶ

without any restrictions as to the methods employed,—and who excels others just in doing this in the highest possible degree, and is adjudged the most pleasure-giving of the competitors: what do we suppose would be the effect of such a proclamation? In what respect do you mean? The natural result would be that one man would, like Homer, show up a rhapsody, another a harp-song, one a tragedy and another a comedy; nor should we be surprised if someone were even to fancy